Born from Thorns and Dust

To live, to die, and to be immortalised by bloody thorns.


about


The 19th Century is coming to an end. The plague of lycanthropy rots through the bones of a new America, waging war between monsters and men. Bo Pager, a vampire hunter shaped by the bloodshed of both worlds, takes one last job before turning her back on it all. Vampirism isn’t a legend; it is a sickness passed down from predator to prey, turning the hunted into the next to feed. This story will follow two vampires, cursed by the very people that once called them their own.

vampirism

Vampirism (virus) can be passed on when the recipient's bloodstream comes in contact with the virus of a fully transformed vampire.Vampires carry this virus throughout their whole body, but specifically on parts like their teeth, which is their primary mode of transmission.A bite passes the virus to a recipient, but the transformation only occurs if the vampire’s blood enters the recipient's bloodstream while they are alive. If the victim is already dead or the vampire's blood doesn’t mix with theirs, the transformation does not happen.


ghoulism

Ghoulism is a mutation of Vampirism, and occurs when the recipient consumes the flesh of a carcass infected with the vampire virus.Those effected with ghoulism share similar regenerative abilities with vampires, but instead of blood they crave for human flesh. Without feeding, their bodies decay, developing painful blisters that worsen over time.


concept art



The Vampire

The Maker

Bo Pager

Anya Clark

She was a child of the night, born to the darkness. The mine had collapsed, and for a long time that was what entombed her. A reaper with bloody thorns found her, and at the age of twenty she was given a life with hunger for blood. Her family believed her gone, a body as cold as the stones she was buried under. They never knew what she had become.With no past to speak of and no future to seek, she followed her maker through the barren and depraved landscape. They exchanged no names, shared no stories, but silence stretched between them like an understanding. They found whatever solace they could in the company of the other, two shadows on a land as empty as their hearts.As the years dragged on, a new sickness crept into the world, one that bore similarity to the one that made her. Unlike the plague that made vampires, the curse of lycanthropy stirred fear amongst humans.

Notes

  • Being made at a young age, she has a tall muscular frame, and is often mistaken as a young man

  • She is selectively mute, this is perceived as rudeness by other people. She only speaks to her maker.

  • The area around her bite mark (on the left side of her neck) is infested with black-blue veins. She is self conscious about this.

  • She is fascinated by the funeral home Anya works in for its beautiful lifelike embalming. She is not aware of Anya's infatuation for her, nor does she know her existence.

One desolate night, Bo was left on the edge of a werewolf territory after a vampire gang drained her to the brink of death. Fate, in all its cruelty, did not deliver her to the aid of civilisation, but to the raw forces of nature. She was transformed and raised as a werewolf since then.Years passed as the lands were scourged by lycanthropy, a plague as relentless as the one which birthed the first vampires. The disease altered bodies, made them stronger, stranger, but it was fear and prejudice that made monsters of men. People saw the afflicted as rabid beasts of the night – no different from untamed dogs – and very soon tales of their gleaming eyes and gnashing teeth twisted the perception of werewolves. To the eyes of the fearful, those touched by the disease were subhuman.It was not long before curiosity took hold of learned men. They built institutions, and hunted down werewolves to cage them in for study. Bo was once amongst the "herd", stripped of dignity as the doctors hungered to understand what they could not.

Notes

  • She wears a straitjacket from St Anne's Institute of Lycanthropy (SAIL) that was modified to accommodate her size change during transformation into a werewolf

  • Heterochromia in the eyes, one yellow one green.

  • When angled correctly, her white hat is almost a perfect circle (she uses this to trigger her transformation as it is stimuli response to anything that resembles a full moon)

  • A lot of stretch marks and scars on her face and bodies as a result of drastic size change during transformation

  • has a fear of cats

Anya had grown up in the shadow of death, inside her parent's funeral home. Her father and mother's hands, delicate but calloused, were the pairs which showed her how to pierce needles through pallid skin and find dignity in cold flesh. To her, death was a state of being, not a silent end.She became adept, known for the way she brought a glow to cheeks of the deceased like whisky would to a drunken man. People spoke of her talent in low, respectful tones, for she had a gift that verged on the sacred.One day the sheriff came, his face shaded by the brim of his hat, followed by two white stretchers. Two men, mine workers, each with their throats torn out to expose sinew and cartilage. The sheriff, who couldn't even glance in the direction of the two bodies, muttered something about a rabid animal, a wolf maybe, or a monstrous breed of coyote. But Anya stared at the red lacerations near the gaping wound that shared chilling similarities with human bite marks.

Notes

  • dirty blond hair and black eyes. Her eyebrows are also really dark.

  • Wears funeral garments.

  • Often covered in bandages due to her ailment.

The Vampire's maker emerged from a past as mysterious as the night. He had lived for almost a century, but it seemed that the girl was the only vampire he has ever made.

Notes

Illustrations





A Lonely House Amongst The Trees

The vampire wasted no time and rode as soon as the sun dipped below the horizon. The sky, not yet veiled by the night, bore streaks of crimson and copper like gasps of ember in a dying fire. As the rhythmic drumming of the horse’s hooves echoed through the valley, she casted a backwards glance at the glowing windows of the little town dwindling into mere pinpricks on the darkened canvas of the landscape. Carving a path through some thickets into a yawning expanse, a brisk draught teased and whistled against her hat. The dry, earthy scent of the wilderness dragged along the brazen tang of fresh warm blood which her senses danced to. She stalked it with predatory grace, restraining her instinct as if it were a wild beast lashing out in unseen chains. Pressing her eyes into the distance, she discerned a solitary ranch that stood small and far, swallowed by the blue-black rock fields.After an hour more passed on the saddle, she reached the old thing, its worn-down frames barely distinguishable from the skeletal branches of the elm trees that gathered and died behind. To dub it a ranch would have been a generous act; for it barely had two pens and a singular cow that followed the vampire with its sunken eyes as she rode past. A dying candle wavered within the desolate shack, casting its feeble light onto the weed-infested porch. The vampire circled her steed quietly through the trees, pillowing its footfalls on rotting leaves. She slowed at a spot well-hidden within the shadows to dismount, and to her surprise, her feet met a solid surface amidst the tired mud. She drew closer for inspection, and discovered herself standing on the overgrown grave of an Elisabeth Walton who died at 19.The vampire, in her cruelty and perversion, developed a habit of studying those from whom she fed. It was her twisted form of an homage, like studying the menu of a lavish meal. So she crept up to the windowsill of the little shack to inspect, and rested her eyes on a sleeping figure, cocooned within a potato sack like a writhing maggot. With the candle snuffed out, she could just barely trace the furrowed brows that aged his grimy face as he shivered and clenched his jaws into the bitter air. The vampire gently nudged the door ajar then slid inside like a spectre. Through the opened crack, moonlight spilt in and sighed on the surface of a whiskey bottle lying beside her feet. She surveyed the rest of the dishevelled interior and spotted, amongst other messes, several more discarded bottles of cheap booze, some not even empty. As she noted the pungent alcohol in the fool's veins, it became clear that he had drank himself asleep. Nudging aside greasy dishes and pots with her boots, she picked her way to the laying man and knelt beside his shambled cot. An expression of agony was chipped into his face by a pain beyond physical.A folded card caught her eye. It laid silently atop a stool that the man fashioned into a bedside table, and the card had been handled so often that its edges were round and fuzzy, frayed away at the creased scars. She flattened and angled it beneath a streak of moonlight, letting the pale blue wash reveal the ghostly photograph of a newlywed couple. The young bride wore a bright smile, eyebrows arched with joy, and the groom a chirpier visage of the man who was now curled up asleep before the vampire.Taking a seat beside his little cot, she absorbed the intricacies of this barren room from his perspective. Despite the moon’s elegant framing within the window, its feeble light was only able to cut a muted blue grid onto the adjacent wall, leaving everything else untouched and to be engulfed by the inky darkness of the night. As she counted the intermittent drips from the leaking faucet, the vampire’s gaze lingered on the dithering window frame as she became more attuned to the darkness. Notes of grassland musk stirred into the heavy air of the shack as the wind creaked mournfully through the loose door. Beyond the confines of the old shack, distant whispers from wind-brushed grass soothed the grunting cattle and chattering insects. Yet, as she listened, the landscape seemed to grow into a deafening silence. She filtered out the percussive force of nature, and a wave of loneliness ate the vampire whole as she contemplated the solidarity of human beings in a world so alive. She sat in a buzzing numbness that shook her to the core like a boulder in an earthquake. The man’s chest rose and fell, oblivious to his fate, much like Elisabeth’s before him. The vampire shook out this contemplative daze, as she realised that a while must have passed as the hunger for flesh and blood bore into her stomach.She looked back and stared into the man’s neck, right where his jugular vein was pulsing. With focus, she tuned in to the steady throb of blood with each dire pump of his weak, old heart. She felt her heart drum in sync with his as she savoured the acrid sweetness of whiskey in his veins. Kneeling solemnly before him, she supported his neck as she angled it for the inevitable bite. Then, burrowing her fangs deep into his mortal flesh, she gave him the kiss of death. The man jolted awake in a bloody shriek. He wrestled against the vampire’s iron grip but she would not let go, no matter how hard he bit or scratched like a rabid dog. As she lapped away hungrily at the fountain of crimson that pulsed from him, the man’s furrowed brows softened and his kicks failed into weak twitches. Like a wounded rabbit, his life slowly seeped out, and in a twisted euphoria he thought that though he died in the arms of his killer, he died in someone’s arms nonetheless.Two weeks from then a travelling band would come across this old worn-down ranch and see the blackened bones of a cattle in the animal pen. They would knock on the dead man’s door and find him lying right where he died, his body too rotten for his visitors to identify the pair of holes from where the vampire took his life. Mustering up enough courage, they would move and bury him right beside Elizabeth, amongst the spindly elm trees. With that, they were reunited, but somehow lonelier than ever.


The Embalmer

a character and writing by my friend

For decades, I have worked tirelessly in these arid lands, my longing growing ravenous as each day goes by. I almost feel guilty when they bring me the young ones. Last Thursday - a girl by the name of Clementine, couldn’t have been more than seventeen.“Paint her lips red.” The man tossed me a small vial before turning to the door. “She liked to make herself pretty.”And pretty she was - even in her demised state, she was alluring. I brushed neat blonde curls away from Clementine’s cold cheeks to reveal her bare neck where she had been struck. It was so subtle yet pained me to an immeasurable level for she was always one step ahead of me, torturously unreachable.I reminisced of the blissful times before she had sent me on this eternal chase. I crave for her taste.You’re a sick, sick woman, I had thought, before I scalpelled Clementine’s abdomen and put her flesh into my mouth.It’s fresh, and I smell her. I smell her all over the body.


Bo Pager

They thought the old man had nothing in him, but it turns out he did.
Three boys, as ragged as they come, huddled in the corner of the office. The one talking had his knees drawn up, a blood-soaked rag pressed against his face, eyes raised to the figure leaning in the doorway.
She was wrapped in pale leather, buckled and fastened by black straps. Her sleeves ran long and dark, tufts of fur over the sniper gloves that exposed her taloned fingers. She had no eyebrows to speak of, and stranger more were the stretch marks that scarred her cheeks, slurring her speech that made the boy listen more intently. Over dirty brown curls she wore a hat so white it caught the lamplight in ways that hurt to look at. It sat low and casted a shadow over her eyes, not that the boy dared to look into them anyways – he wasn’t sure if he’d find anything human in them.“What’d he look like?” the figure asked, the smoke from the cigarette curled up in the air thick with dust and sweat.“It was dark, ma’am. Couldn’t see much. We was scared out of our minds. He shot Tommy, you know. We ran. I ran.” He winced, voice cracking. “Got me right here, too. Oh– greasy long hair, it was all over me when he cut me.” His hand shot as he touched the gash that stretched across his cheek, still raw, still wet with blood. The others nodded in silence.“And what were you boys doin’?” came the same, flat tone.“I swear, ma’am, just lookin’ at his horses. Didn’t know they was his. Honest.”“Just lookin’...” she raised the part of her face where her right brow should be. One hand clung on to her gunbelt with a clawed thumb. The boy’s voice trailed off into a mutter, and the other two stared down at the floor like they’d find something there to save them.“Pager,” the sheriff interrupted as he swung into the office. “I heard what happened.” He peered past Pager and studied the sullen group of boys. The eyes of a blond one lit up. “You’re her. The Pager woman. Strong one. Ma’am, you gonna catch this man? What he did to us–”“Like I said, I’ll see what I can do.” She took one last drag from the cigarette, then flicked it to the floor, grinding it out under her dusty heel. “And stay out of trouble,” she pointed at the boys. With that, she gave the sheriff a nod, and turned swiftly out into the dark.